Tag Archives: manga

41. The Imperial Fantasia of Ghost in the Shell

I’m not here to defend Ghost in the Shell in any of its manifestations, for as regular readers of this blog already know, I find it mostly to be authoritarian drek for ammosexuals. Only Stand Alone Complex comes close to living up to the series’ intellectual pretensions, perhaps because it has much more time and space to develop its thematic threads. What I do want to push back against, though, is this notion that the opinions of Japanese people are somehow irrelevant. For if, as Berlatsky argues, the live action film is an assimilationist fantasy, then that makes it even more Japanese, not less, and the very moment in the film he brings to bear in support of his argument, the lack of shame for abandoning the past, is actually what aligns it perfectly with the problem of how Japan’s own imperial history works in the politics of the present.

40b. The Mobilization of Shōjo Culture pt. 1

There were–and remain–then, two forms of sexual expression that were both mandated and directly overseen by the Imperial (now “democratic”) state: motherhood and prostitution. With motherhood, the state controlled the means of reproduction, the means by which imperial subjects were created and inculcated with certain values. Prostitution was sanctioned by the state in order to appease the all male military and keep them in line. Stability in the military was important given the frequency with which splinter factions within it mounted insurrections meant to “restore the Emperor,” a polite euphemism for “our ruling on his behalf.”

40a. The Unbearable Lightness of Being an Asshole

As the result of a recent spike in traffic, despite me not having posted anything in quite some time, I noticed, through the wonders of analytics, that a MOOC which shall remain nameless had identified me as a critic of Frenchy Lunning or, more specifically, as a critic of her conception of “the shōjo,” which I have to cop to, since the evidence for it is as plain as day. This identification also caused me to wonder whether it had anything to do with Professor Lunning putting in an appearance in the comments a full three years after the post to which she was responding had been posted, though, I suppose, it could just have been a coincidence.

A World Turned Upside Down, or Rakuten’s Elliptical Ambivalence

In the spirit of translative promiscuity, letting no one way of doing things become an ossified norm, I thought this week I might make use of a selection of translated single page manga from Rakuten’s oeuvre to illustrate an argument in that way that used to be my weekly habit not so long ago.

What Translation Conceals, or How to Make Bad Choices Well

It is, perhaps, a bit unfair, even if useful and necessary sometimes, to pick apart someone else’s translation, to linger creepily over its supposed faults, and generally slap it about with the sloppy phallus of your smug superiority.  I myself only started to eschew these bouts of accusatory dick-waving once I had spent a considerable […]

Kitazawa Rakuten – The Burglaress – Kindai Manga Translation

There is quite a bit to unpack in this week’s offerings, so I’ll leave my commentary for next week. For now, I hope you enjoy the [comic]!

Kitazawa Rakuten – Film Without End – Kindai Manga Translation

When thinking about how to approach this translation, it occurred to me that I am somewhat blessed in having Rakuten’s own tri- and bi-lingual manga to work from, to see how he works multiple sets of text into his [comics] (often haphazardly), so as to free myself, as he does, from a slavish devotion to sense in order to work from the perspective of effect. The original of this text is, of course, entirely in Japanese, yet its translation by my own hand would not be out of place with any of Rakuten’s bilingual manga.